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Home arrow Bible Based Cults & Isms arrow Mormons (Latter Day Saints) - History arrow Occultic and Masonic Influence in Early Mormonism

Occultic and Masonic Influence in Early Mormonism

Article Index
Occultic and Masonic Influence in Early Mormonism
Mormonism Occultism Link
Joseph Occultism Link
Occultism and the Start of Mormonism
Occultic Parallels in the LDS Temple Ceremony
Mormonism and Masonry
Masonic Themes Related to the Book of Mormon
Joseph Personal Involvement in Freemasonry
Masonry and Mormon Temple Ceremonies

Masonic Themes Related to the Book of Mormon

John L. Brooke in his book The Refiner's Fire: The Making of Mormon Cosmology, 1644-1844, noted the following in reference to the story of the discovery of the gold plates and the narrative structure of the Book of Mormon: 

Freemasonry provides a point of entry into this very complex story. As it had been in Vermont, Masonic fraternity was a dominant feature of the cultural landscape in Joseph Smith's Ontario County. . . . The dense network of lodges and chapters helps explain the Masonic symbolism that runs through the story of the discovery of the Golden Plates. Most obviously, the story of their discovery in a stone vault on a hilltop echoed the Enoch myth of Royal Arch Freemasonry, in which the prophet Enoch, instructed by a vision, preserved the Masonic mysteries by carving them on a golden plate that he placed in an arched stone vault marked with pillars, to be rediscovered by Solomon. In the years to come the prophet Enoch would play a central role in Smith's emerging cosmology. Smith's stories of his discoveries got more elaborate with time, and in June 1829 he promised Oliver Cowdery, David Whitmer and Martin Harris that they would see not only the plates but other marvelous artifacts: the Urim and Thummim attached to a priestly breastplate, the 'sword of Laban,' and 'miraculous directors.' Oliver Cowdery and Lucy Mack Smith later described three or four small pillars holding up the plates. All of these artifacts had Masonic analogues.

. . . Smith's sources for these Masonic symbols were close at hand. Most obviously, Oliver Cowdery would have been a source, given that his father and brother were Royal Arch initiates; one Palmyra resident remembered Oliver Cowdery as 'no church member and a Mason.' . . . A comment by Lucy Mack Smith in her manuscript written in the 1840s, protesting that the family did not abandon all household labor to try 'to win the faculty of Abrac, drawing magic circles, or sooth-saying,' suggests a familiarity with Masonic manuals: the 'faculty of Abrac' was among the supposed Masonic mysteries (Refiner's Fire, Cambridge University Press, 1994, pp. 157-158).

However, it wasn't until later in life that Joseph's involvement became more personal.


 
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